Before sharing a Logic project, check which audio files travel with it

A Logic project opens on your Mac because it can find the media it uses. That does not establish that a copy on another computer can find the same files. Before handing a session to an editor, inspect the project's external assets and prepare a copy whose contents match the work they need to do.
This is a portability checklist for an editable project, not instructions for delivering a finished listening mix. Keep those two handoffs labelled separately. Begin with a preserved source project and avoid moving or deleting the original media during troubleshooting.
Inspect the assets the project references
Apple's project-assets guide distinguishes saving particular asset types inside a project from referencing their external locations. It also distinguishes saved MIDI and channel-strip or plug-in settings from the asset-copy choices.
Write down the project's location and any media locations you already know about. A convenient project name or a package icon is not an inventory of the external resources it may reference. Use the controls documented for your installed Logic version, since current online guides can illustrate a different release.
Consolidate the asset types you intend to carry
Apple's Consolidate instructions describe File > Project Management > Consolidate. You select the relevant asset types and Logic copies those external assets into the project's Media folder. The guide includes audio, sampler-related data, impulse responses, video and Sound Library content among the asset types, and notes assets used by project alternatives.
Perform the preparation on the copy you intend to hand over. Inspect the available checkboxes and select what the project needs. Keep the source and its external files intact while checking the result. A consolidation dialog is a step in preparation, not the recipient's acceptance test.
Keep the dependency note alongside the project
An editable project also needs a clear description of the environment in which you expect it to open. Do not assume that saved plug-in settings constitute the receiving computer's installed, licensed software or every external library it might require.
Use this handoff note to separate what you checked from what remains unknown:
| Item | What to include in the note |
|---|---|
| Project identity | Copy name, date and intended project alternative |
| Environment | Logic and macOS versions used for preparation |
| Media | Asset categories consolidated and any known external exceptions |
| Instruments and effects | Relevant third-party names and versions for the recipient to check |
| Listening reference | A separately labelled reference export, if agreed |
| Acceptance | Who opened the copy and which passages they checked |
This is a communication aid rather than a compatibility certificate. If you cannot inspect a dependency, mark it unknown. Ask the recipient what editable elements they need before substituting rendered audio for an instrument or changing effects.

Check the copy, then check receipt
After preparing the project, identify the exact copy to transfer. Apple separately documents copying and moving projects; that linked guide illustrates an older Logic version, so consult the version selector when following its controls. Avoid treating a move as a backup: you still need a separately retained source.
For the handoff, ask the recipient to open the delivered copy and report missing media or dependencies before changing the session. Choose a few meaningful passages together: an imported audio region, a sampler-based part if used, and a section using an important effect. Agreeing those checkpoints is more useful than asking only whether the project icon appeared.
Record any differences and retain the original session while investigating. If only one passage is missing, preserve that detail. Do not rebuild the entire project or remove a plug-in just to make the first warning disappear.
Save a reusable handoff card
Download the Logic project handoff card and keep it with the prepared copy. It has separate fields for media copied, dependencies to confirm and the recipient's result.
If your recipient only needs something to listen to, discuss the required export instead of sending an editable session unnecessarily. The Audacity project-versus-listening-file guide explains that general distinction using another editor. The PCM storage worksheet can help estimate uncompressed audio payload, but cannot predict every file in a Logic project.
No project consolidation, transfer or compatibility test was performed for this article. The useful final evidence is the receiving person's check of the actual copy, with any remaining differences written down.